Observing
the nude standing in dappled light, I saw in the shadows speckled
over her body the landscape painted directly onto her
flesh,' Glenn Miller
'The triptych "Wilderness" echoes aspects of Brett Whiteley's 1972
painting, "The Bush", depicting a figure alone in the landscape. It is
done in the same proportions as Whiteley's, with the left and right
panels combining to measure the central panel. These uneven proportions
are intended to unsettle the viewer, magnifying a sense of fear. Within
this painting's memory there are other figures which were lost in the
painting process, now visible only on a subconscious level as
"ghosts" trapped in the painting's surface,' Glenn Miller
